Lian Loke
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INSTALLATION

NULLAQAERIA
BREATH TEMPLE
GOLD
BLACK SHROUD
BLACK SPRING
EXHIBIT B

Nullaqaeria

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Four channel dance film and installation, SEAM 2013, Critical Path
The Conductors
Filmed on Cockatoo Island

Interrupted

Picture
Set installation with kinetic elements
Dissentience exhibition, Tin Sheds Gallery,  August 2013
https://dissentienceproject.wordpress.com/

Gold (Monstrous Topographies)

Picture
Picture
Set installation
The Spence Room, I Love Todd Sampson, Living Room Theatre Company, March 2013.
Awarded 2013 National IDEA (Interior Design Excellence Awards), Event category.
Member of design team (led by Dr Dagmar Reinhardt). My role: Programming of electromechanical elements for choreographic kinetic structures.
http://livingroomtheatre.org/works/i-love-todd-sampson/

Black Shroud

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Installation
Organised Cacophony, Rocks Pop-Up, November 2013

Black Spring

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Motion-sensing, kinetic installation, with performance
Digital Interdisciplinations, Tin Sheds Gallery,  August 2012
http://biome.cc/exhibition.html

The Breath Temple

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Participatory live-art installation, with scripted interaction, breath sensor and responsive soundscape
SEAM Symposium 2011, Critical Path, Sydney
Lian Loke and George Khut

Wii Leaf

Wii Leaf installation, leaf, responsive soundscape and WiiFit balance board
DAB Lab Research Gallery UTS, March 2010
George Khut, Jonathan Duckworth and Lian Loke

Exhibit B

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The exhibition as peepshow museum: a reduced world … objects suspended, frozen in time, exciting the voyeur within. Suspended, sculpted effigies of the erotic body, fashioned out of cloth. Curated: mounted and placed. The absence of the body brings out the sculptural yet transient possibilities of the body imprinting on cloth as it moves through space. The performance within the space further explores these ideas, by reinstalling the body to flesh out the suggestions of form, combining the erotic form with the sensual persona. The sensing and feeling methods of movement are utilised as the means of exploring the transitional relationship between the body and the architecture of cloth as an organic, non-image-based representation. As the objects are curated, so too, the body in performance is curated.

Sydney Fringe Festival 2000

Concept, costume and objects: Lian Loke
Set: Drew Heath
Performers: Jodie McNeilly, Claudine Vonn
Makeup: Heather
Graphic design: Bruce Duncan
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  • Home
  • About
  • News
  • Art
    • Performance
    • Installation
    • Curation
  • RESEARCH
    • Current Research
    • Research Archive >
      • Bystander
      • Complex Bodies
      • Intimate Aesthetics
      • Moving and Making Strange
    • Research Supervision
  • Publications and Press
    • Publications
    • Talks
    • Press