Loke, L. and Kocaballi, A.B. Choreographic inscriptions: A framework for exploring sociomaterial influences on qualities of movement for HCI. Human Technology Journal Special issue on Human–Technology Choreographies: Body, Movement, and Space. Volume 12 (1), May 2016, 31-55.
​http://humantechnology.jyu.fi/archives/abstracts/loke-kocaballi16.html

Performer in Emma Prices' 24 H(our) Diner, Day for Night 2016, Performance Space Sydney

TEI 2016 Art Track Chairs: Lian Loke, Ineke Neutelings, George Poonkhin Khut

Just gave a talk on The Power of Creative Presentations for the first stage of the Telstra Imaginarium
https://www.telstra.com.au/latest-offers/telstra-imaginarium
Great to see how the participants incorporated creative approaches to pitching their ideas. Looking forward to seeing what the lucky 15 do, as part of the upcoming 8 week immersive design thinking program.

Interstellar Movematicians performing on Jamming Gravity pressure-sound platform.
Musify+Gamify exhibition, Seymour Centre, Vivid  Sydney 2015.
Jamming Gravity by Frank Feltham (RMIT), Ollie Bown (USyd) and Lian Loke (USyd).
Performers Jodie McNeilly and Lian Loke.

Performing Mobilities, RMIT Design Hub, Melbourne 2015.
http://www.performingmobilities.net/symposium/assembly_symposium/jamming-gravity-2/

Núñez-Pacheco, C. and Loke, L. (2015) The Felt Sense Project: Towards A Methodological Framework For Designing and Crafting from the Inner Self. ISEA2015, Vancouver.
Loke, L., Reinhardt, D. and McNeilly, J. (2015) Performer-Machine Scores for Choreographing Bodies, Interaction and Kinetic Materials. In Proc. MOCO'15, 2nd International Workshop on Movement and Computing: Intersecting Art, Meaning, Cognition, Technology, ACM