INSTALLATION
Nullaqaeria
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Four channel dance film and installation, SEAM 2013, Critical Path
The Conductors Filmed on Cockatoo Island |
Interrupted
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Set installation with kinetic elements
Dissentience exhibition, Tin Sheds Gallery, August 2013 https://dissentienceproject.wordpress.com/ |
Gold (Monstrous Topographies)
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Set installation
The Spence Room, I Love Todd Sampson, Living Room Theatre Company, March 2013. Awarded 2013 National IDEA (Interior Design Excellence Awards), Event category. Member of design team (led by Dr Dagmar Reinhardt). My role: Programming of electromechanical elements for choreographic kinetic structures. http://livingroomtheatre.org/works/i-love-todd-sampson/ |
Black Shroud
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Installation
Organised Cacophony, Rocks Pop-Up, November 2013 |
Black Spring
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Motion-sensing, kinetic installation, with performance
Digital Interdisciplinations, Tin Sheds Gallery, August 2012 http://biome.cc/exhibition.html |
The Breath Temple
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Participatory live-art installation, with scripted interaction, breath sensor and responsive soundscape
SEAM Symposium 2011, Critical Path, Sydney Lian Loke and George Khut |
Wii Leaf
Wii Leaf installation, leaf, responsive soundscape and WiiFit balance board
DAB Lab Research Gallery UTS, March 2010
George Khut, Jonathan Duckworth and Lian Loke
DAB Lab Research Gallery UTS, March 2010
George Khut, Jonathan Duckworth and Lian Loke
Exhibit B
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The exhibition as peepshow museum: a reduced world … objects suspended, frozen in time, exciting the voyeur within. Suspended, sculpted effigies of the erotic body, fashioned out of cloth. Curated: mounted and placed. The absence of the body brings out the sculptural yet transient possibilities of the body imprinting on cloth as it moves through space. The performance within the space further explores these ideas, by reinstalling the body to flesh out the suggestions of form, combining the erotic form with the sensual persona. The sensing and feeling methods of movement are utilised as the means of exploring the transitional relationship between the body and the architecture of cloth as an organic, non-image-based representation. As the objects are curated, so too, the body in performance is curated.
Sydney Fringe Festival 2000 Concept, costume and objects: Lian Loke Set: Drew Heath Performers: Jodie McNeilly, Claudine Vonn Makeup: Heather Graphic design: Bruce Duncan |